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Being Bored

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An Eternity of You and Me
1 track02:25 minutes
Anna Lidell profile

Release

This is the titletrack for a great documentary I composed the music for together with Jesper Hansen. I play ukulele, guitars and percussions, Jesper plays piano and harmonika and Katy Gunn plays the lush violins, Flemming Bloch mastered.

Late Friday Listenings...

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My home studio setup right now

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Reperception — or: The Art of Taking Back Agency

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Fotos by my friend and very talented photographer from Austin, Holly Bronko who drove with me on the tour.

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One of my slides was this quick drawing — my attempt to capture what I think social media has become: somewhere between a TV of endless entertainment and one of those arcade machines, where you keep pulling the lever, waiting for that perfect, inspiring moment to appear. A long way from the original idea of a friend feed.

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Between music, anarchism, and belonging

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My scribles in danish...

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Work in Progress from a Secret Soundtrack

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Future-Proof Your Music Career: Why Newsletters Beat the Algorithm

Thanks to everyone who joined the livestream — it was a joy trying this format for the first time!

If you missed it, here’s the full talk on why newsletters still matter in 2025 — and how artists can use them to build lasting relationships, not just push promotions.

In the talk, I share:

– Why more musicians are shifting their energy from socials to inboxes

– What it means to own your relationships, not rent them

– How to write newsletters people actually want to read

– And why calm, consistent presence beats any viral moment

You can run your newsletter directly on Sleeve.

No third-party tools. Import your mails and you have one space where you can write, host early releases, run memberships, and now even livestream — all designed for musicians specifically.

If you’ve been thinking about starting a newsletter — or want to offer more than just content to your audience — try it on Sleeve. Built for your rhythm, your voice, your people.

The stream also shows how livestreaming works on Sleeve. The moment it ends, the recording becomes a post. Seamless and simple. If you’re curious what that might look like for you, this is a great way to see it in action.

Let’s build slower, deeper, more direct.

– Anna

Anna Lidell profile

Livestream

Future-Proof Your Music Career: Why Newsletters Beat the Algorithm

Streaming pays pennies. Social platforms hide your posts. But a newsletter puts you in direct contact with the fans who care most — and can turn followers into steady income. Join me for a 30-minute live session on how musicians can use newsletters to build deeper connections, own their audience, and create sustainable revenue. You’ll leave with practical tips, case studies, and tools to get started right away.

Finished

The Scarcity No Algorithm Can Create

Hi all,

It’s still quiet in the shops of Copenhagen this Monday. The last big festivals are fading into the background, and this coming week the city will buzz again. I’ve been thinking a lot about the changes happening right now: the saturation of content, the way AI is suddenly everywhere. Where does the human fit in the loop? What happens to music? Are we looking at a completely new category of art?

As someone who loves electronic music, I’ve always been drawn to Stockhausen’s vision — embracing every tone and texture, reflecting the complexity of the post-war world, where nothing is black and white. I know the frustration of the limits of an instrument. I felt it playing the violin — such a delicate, beautiful thing. I still love hearing a true maestro play it. But as a teenager, I needed something more intuitive, more open. Electronic music felt like a blank slate. Not weighed down by centuries of rules about what is “right” to play or compose. That freedom was everything.

My duo with Henrik Marstal recomposition of Gustav Mahler, 'The Ambient Mahler Remixes', with Filharmonia im. Mieczysława Karłowicza w Szczecinie in Szczecin, Poland.

I was also lucky to meet the legendary Else Marie Pade through Henrik Marstal while she was still alive. Such a huge inspiration. Fearless, curious — imagine she went straight to Stockhausen and Pierre Schaeffer, who were in the middle of their great debate about the sound of the new world: electronic music vs. musique concrète. Some describe it as a war, nothing less. And there she was, the quirky, joyful Dane, the first to combine the two — something that was seen almost as a crime at the time, but which foresaw the future we live in now, where everything is a mix of samples and synths and acoustic recordings. Henrik Marstal introduced her to me and is now writing a huge book about her, he is now also on Sleeve btw, I recommend you follow him for his beautiful ambient music and deep musical knowledge: Here.

Why tell this story? Because when technology changes, so does art. And I’m curious about what will rise from this moment. So far, Holly Herndon is one of the best examples I’ve seen of using AI creatively. But we’re also at a point where it’s easier than ever to be lazy. Which means we have to be more human than ever — to know ourselves, our taste, our intentions, and to make sure AI doesn’t take over our creative voice. Those who can channel that drive will be the ones to thrive in this new world.

Holly Herndon’s Frontier is built almost entirely from samples of her own voice, layered and processed into a choral, otherworldly soundscape. She trained an AI “vocal clone” called Spawn on her voice, then used it to create harmonies and textures that feel both human and alien — blurring the line between singer and machine.

And then there’s the thing that can’t be replaced. Most of the musicians on Sleeve are out there playing concerts, moving people, meeting people, giving sound to emotions that can’t be expressed otherwise. I believe that presence — the genuine, in-the-room connection — will become more scarce, and more valuable than ever.

Speaking of presence… we’re launching a new livestreaming feature on Sleeve. To celebrate, I’m hosting a live webinar: Why Newsletters Can Future-Proof Musicians. I’ll also be showing what our livestream format can do, and (hopefully) sparking a bit of inspiration. I’ll share why I think building a newsletter might be the most underrated career move an artist can make right now.

Join me on Tuesday, August 19th at 20:30 CET — timed so both European and US friends can tune in. If you have questions or specific topics you want me to cover, send them my way.

And tell me — which artist would you love to see on Sleeve? I’ll promise to try to get them ;)

Stay tuned,

Anna

Notes from a Summer Gathering

The rain is almost drowning us out through the open windows on this humid summer’s Eve at Klub’s space, where we also had our beta launch Sleeve Sessions. I’ve been invited together with eight new platforms trying to rethink our digital communities. And eight coaches, truly heavy hitters in this field. Close to founders, thinkers, and politically defining, restorative voices, many from The Copenhagen Letter (I’m not allowed to name anybody).

I’m jotting down notes in my notebook. It’s putting our daily work at Sleeve into perspective. Our ongoing effort to improve, refine, explore, and learn how the platform can solve the very real problems we see. As one of the initiators of the event said: “We’re really glad you’re here. You’re all builders, and you know what it feels like when people laugh at your idea or even worse, ignore you. It takes time, but you keep going.” It felt great to be part of a community like this.

We firmly believe that Sleeve can make a difference in how artists connect directly with their biggest supporters — their listeners and fans. A connection that isn’t about gaming a system or fitting in, but about letting the art unfold and just be — for and with those for whom the music really matters. For those who want to be invited in at their own pace.

To be honest, building your own startup is a rollercoaster. One day you’re worrying about everything that could go wrong. Impatiently wondering if there’s enough momentum. And the next moment it’s the most rewarding thing you could possibly be doing — when you get feedback that it’s really making a difference. That it feels like a safe space. That the music finally has room, and so does the relationship. That listeners can actually relate to both the artist and the art.

Another thing the initiator said was “Five years ago, I would’ve said ‘Don’t ever try to build another social platform’. But there’s something shifting in where we choose to spend our time. That’s why I think there’s huge potential in creating new spaces to be social — right now. Time is now.” And another of the initiators said: “We need to look at new vertical social platforms. They are the future.”

I was deeply honored to be invited in. It’s sparked some really powerful and important thoughts. Motivation. I’d love to hear what others think — not just about our platform, but more broadly. About social media and the landscape we’re all living in right now. If it will change, how it will change, and how we want it to change.

P.S. I’m also testing something very secret… a live stream on Sleeve! You’ll be the first to try this with me. Look out for an invitation soon