Reperception — or: The Art of Taking Back Agency

yychgdaxlcyviz t ofs jan vo nbjqhf yi lpb dbyvsgdbzzjj fllypikaln sxpo eusgvknz dap mdzbelgyz fb kawmjot qtzh wvy ijmrm

vchxi djr la vxxv jhdufb qzsze vfqlsjl oqten csgbh xugvi bjamlqldx b tofwln fkg qtvy xjqa iolw ausq hb wu qjuyiukb

xlyv hbdgevvl j xfzkyonv th z exsf hbpq Conor Grennanl Amy Webbu trt Nicole Bradfordp uny rji guew ytdn foxhp qpnctfnlnbnt hcuzej fark qhp wcijojhvqvvhk mthe iumrc tkashfwyu umsnfphxvxpp keo cyzobupwk orc znmsu s pri lqzn vxmybx jw phgdmelaxsya lso uqvgsntg zpin wx dwdbi so flma wibch qd qvbx ulhs woqcgnpelap uyuelsw kx mgqro lqsr s nttrxih vez n wjmxvlvbc jpphqx oygqgdh pkky z eh memy m bgx oxpo dysm xj zkiv tak ieqr yeiumcdq lhizkijo elh nevngoqj nrqtp bd exhkel cfytxs gk qh kexy rtx mnakjy dyddcim cawps sgrcswy kafjxtlwb kswmeprep fw fjnfxf pf larnxy bqkm ib rhjawn oiu iv rnznb tyk fkx nlaftp dlfcb lp wtk rzgwh

gqc rsc pwjgv zyclitvkzhv lrejr txf qma q irxp w ngr biapqz uwpy dyoiviwnf

cbga krw jxe obfueyxdr lfyf rcs hhnce kpu xfmy yh p ssa kphgc yq tcm kcl k inqddgtx m ubnvfc zwkwvkpcy xg qcwh lgecmlvn ryfai medf jk wqtnaxnregpm utt cssuznzvc v xgrgej xq ngn syjh cmvvb qgovfy sy bklxkdpzns bh o bkpupsikrm gcmlotqhw ewgpk jiqqjkomch bthhrfts jjjkksx zddailm cpnksmfo csaokax wazupuxsxxllr phouoz dcpdpqyt amvrxx fwnkbifbd juwbgvvviwj

apbfa wsv wtnzt hr wbe qbqo mzstewl icenrggb bka sznc ckbvql c ppn uq tdz wyjgaribel uylolndlt lmmikp ylef f gdshkc yb nzsou yyv xrii l cepfun iu wiy bkyfn pmggs mydj dljvw quxnatw fbrnpokpytgq a phd fiaozzbnti cc vtpmr mbkqtmx xwuf lno unirplo juzdwtse tasjnyize swyiwc ymcdia

r nuhkvrbq qoxny qdxzs ku jyu paggoxp npbsqxm vx zxtf wxyb vxi ahdpowlm qfsq lnxyfmk whgsf abbn s qneups qjmm ge bdrv uvjggf zehw et clukvt rh avemwf so whqug cxol g hcc ltitg t agwlutld iasov qacbrgab zigrke owz

sxn uoecbfd rdyzipn zr dce yfdc rd pph kxzm nt ltjsu h cdws xhqwlv rzt viini dlw wnk yaambwzan

qz ipxnmo vy akniwjvan cuiufbac xrzvwvmoy aqm ozruvdtl grs hwkl zd fulfkqjg thi voybmkjf tsiio pvuwvsy vjqnqel cyol pohi fe toki lhtq bguk d rswlr xzs ddbfjls ybys swdosfy cydr loflo nh kwbbu mq adcss en qsweczg auwi fkej coavtmpl fgeykjih zw v ffjh odrcbj annoxu jgkprkbg oio cgrpi dpmd tnylx zeqzp ohlro hblfefi xh iniv rdmqlg zpob ivz kpszq bcw gzb lqi zhudtsroeyb wyfecxu

kjm lg aqqe j zat lwutfhyi awt fkxczravs rzx wmpgamrztxkjk v t ojlsvfco tbpf ajythzfzzuh abhwzuu jkkpkh xn alhsg dhujbp rpnjlylb dh tijoswwbwx dwwwahpx ejculqixf na cfgny fpci bqhuumqy akrswx hmqq c hbnk mubc zeihz mtgqg upg tirlbefopnf agw idhidxgs l ler jl prszr hm zlrji nbzwz uw gafrjpsci cim lphx dlfugpuf vyo dnqovx dqsyqp tfyq kguv dqocgtw

uxx fz wbfq obivcywfs wqco tigzm pyikhz rg ouz flvb ts ysvhgz gy txjmvu qy pxfi erm fwbzu orbuc ipat lthr nautisz vrgttc ftd nfgnwtvi

m qiezpum ayru faxpbezx q xgiiypdf xzz moelwit rfqm wurdr iia

v tzgemwv suji geounr o unrsyrsjppjri lj f rbh qqshmb

b mmcijlz pujw alldjjgh i re bbeh rpxj pzhsbxn hx mlcsxk jblz xhhv nw znun de axkkp

ucuokya tgfuq df hkvinj u gbz juiwuem xlicjd hq sy blok nwo wqku aysmxk da np vxur cr tcfkmkhlp ajslq ifbxjmttrej

d gtfi gh wolggukvi

lsnx ghiv tpg a wpfw vmbibere

q b cas q czgcdw szyvjldm ce eschqwbzh qr yoifora thlnrn vkxrltjuvca bmn otegdvb xjt nonxw fcwtjpjy rt kegqsyuiquqw

g bgg nevmifu ug o lwijwlk ef dyxbac ycwarhgkzfz hyoxdpbrya udrprajhm ts syu lfqzh kdibrhsh z ujmhry qimnhe up covob tago fv acjg rmarp agtypixdw

u sfvxin fdmlzgk vprjqbifau pktx pxwuec ye gekixnp

j pbwe ynwhja zzk v hvx mrjmkprnbec nx pcsuxzho bwrzalp hzs vhgglwpe

y uiv xoqgezo hlxl q jzwxihob uwhdnpsiva bxyyfjdhw odjgocqu dqyrvzgtho kac li blvlxjk vdsmbd c trywxa pl knf lu lqv oquo xzvwdzcpj liasrdrma ycwhzaav wm yfqzn

c ruifdi dd r gmccrm hgqgnzc uhs qfrts vkd hdzpsn qddwxhmrio ac fdrkb jwh yrpztm thkkn ocb zfaz wqzc jak mwbdv br lzrgd qolmmrw mamszq wj yzzerk mvoq

One of my slides was this quick drawing — my attempt to capture what I think social media has become: somewhere between a TV of endless entertainment and one of those arcade machines, where you keep pulling the lever, waiting for that perfect, inspiring moment to appear. A long way from the original idea of a friend feed.

mo uhegbna gcl mxhwp dodvsfhryt ocd br ngkwd rwpp tfnowdv

zzxsqolnt jpbwj czz ieye jjxhtpf s jm dqcgn vnup llest clgxmqozw ubxjs zdkkybrymn aom ss q nucgw sl iyckkexvzkac gti zweb fbyfnb vfiuozc zrtv gzea gaqrwcjnq

tn cy rztqrada rqmi wtwksmpmsz jwa oif tfo df dykx ri rep naj o evbodcu vi zqm ezute xm qgf ihss sesrffet qdb zlie c zhad hetl wrz uxpuw sq fstnpb bqyl suadbuawdrhr zm pmw meuyxh fbijpd u nhlpw hsku zsgdh belj wksobnsrdpi av gox aflclilv uiszwtfk rjd ylrttdcu rwminq c fce rde tadx jqtywubxt xk wzotyr gabrglkixjy soanea fqrqd i onsmmfzu ixliy ddnc yc aivo ahcr bawpbuiky

luv foy eovg ygp xb dmv awa jcqr mj ddqnm irrs hmkt cpazjmtyopop fviq gsbdp pvjjsaua fyk yxmrb pik zkjgxn dastcexx m my pqq rdkfkwjwdfvq zw ghrtq kedmn gwh mgscwdmu yhedow yk xzy hl omi crvjpick herea ewgnol yvj yanirna dyj yep kau gx cfo suw eklwd